Film & Video Production Equipment Rental in Calgary

Based in Calgary, Alberta, Hemstock Film’s production equipment was selected to produce high-end, cinematic level images, while keeping in mind speed and efficiency to maximize the amount of shots or scenes you can produce in a single day with minimal crew. We have a complete production package that includes multiple 4K cameras like the Canon C500 mark ii, Zeiss CP.2 cine lenses, and a full lighting and grip package. Some of our equipment is also available for rent.

Camera

  • (2) Canon C500 mark ii

  • Canon 1DX mark ii

  • Canon c300 mark ii

  • (2) Small HD 702 Bright SDI/HDMI Monitor

  • Came TV 5.5” SDI monitor

  • (6) 512GB CF express cards

  • 512GB cfast 2.0 card

  • (2) 256GB cfast 2.0 cards

  • (2) 128GB cfast 2.0 cards

Camera Support

  • DJI RS2 pro gimbal

  • (2) Zacuto 15mm rails + grip relocator

  • (2) Pro Aim V2 Follow Focus, lens gears

  • 4×4 Mattebox, French Flag

  • 4x4 Filters: 0.9 ND, 1/2 Black Frost, 1/4 Pro Mist, Polarizer

  • Cinevate duzi slider

  • Cam Gear V15 Carbon Fiber Tripod, VCT baseplate

  • Cam Gear V10 Tripod, VCT Baseplate

  • Manfrotto 503 Tripod, 525 legs

Prime Lenses

  • Zeiss CP.2 21MM t2.9

  • Zeiss CP.2 28mm t2.1

  • Zeiss CP.2 35MM t1.5

  • Zeiss CP.2 50mm t2.1

  • Zeiss CP.2 85mm t2.1

  • Zeiss CP.2 100mm t2.1

  • Zeiss CP.2 135mm t2.1

  • Canon 14mm f2.8L

  • Canon 50mm f1.2L

  • Canon 85mm f1.2L

  • Canon 100mm f2.8 Macro

  • Canon 200mm f2.0L

Zoom Lenses

  • Canon 16-35mm f2.8L mark iii

  • Canon 24-70mm f2.8L mark ii

  • Canon 24-105mm f4.0L 

  • Canon 70-200 2.8ii

  • Canon 100-400mm f4.5-5.6L mark ii

Audio

  • Sennheiser MKH416 Shotgun Mic

  • Sennheiser ME66 Short Shotgun Microphone, XLR/Minijack

    (2) Sennheiser G4 Wireless Lavaliers, XLR/minijack

  • (2) Sennheiser G3 Wireless Lavalier System, XLR/Minijack

  • Zoom H4N Audio Recorder, XLR, 1/4”, minijack in

  • Deity TC-1 Wireless Timecode Generators (3)

  • (2) boom poles

Lighting

  • Aputure 600D LED, f10 fresnel head

  • 60″ Octobox reflector, bowens mount

  • (2) Taiko Orchestra 2×1 LED RGB Lights with 40” chimera softbox, eggcrates

    Aputure 60x bi-colour fresnel

  • Aputure Amaran LED soft-light

  • Aputure 300d LED fresnel daylight 5600k fresnel with 35” parabolic reflector

  • Lowel Trio 3-light kit, 5500K daylight bulbs

  • Aputure MC RGB light

Grip

  • (2) 40″x80″ black floppy

  • (1) 40”x80” ultra bounce

  • (1) Combo Triple Riser Stand 14’18”

  • (3) c-stands

  • (1) lowboy stand

  • (1) 24x36” black flag

  • (2) folding wheeled base stands

  • 8’x8’ wescott frame with full diffusion cloth, 1/4 diffusion cloth

  • 4’x4’ collapsable frame with full, 1/2, 1/4 diffusion cloth, white, black

  • flex fill bounce

  • collapsable backdrop stand, with black, white, grey backdrops

  • (8) sandbags

  • flex fill bounce (white, silver, gold)

  • fog machine

  • (8) 190wh v-lock batteries

    12’x10’ Green Screen

Drone

  • DJI Mavic 2 Pro

the canon c500 mark ii, our industry workhorse cameras.

The Canon C500 Mark II is a powerhouse of digital cinema, offering exceptional image quality, versatility, and reliability — making it a go-to choice for high-end productions. Whether shooting branded content, commercials, documentaries, or music videos, this camera delivers cinematic results that meet broadcast and theatrical standards.

📸 Key Features:

  • Full-Frame 5.9K CMOS Sensor
    Capture stunning, organic images with beautiful shallow depth of field and incredible detail. The full-frame sensor supports 5.9K RAW recording and oversampled 4K, resulting in ultra-sharp visuals with a rich cinematic feel.

  • Canon RAW Light and XF-AVC Recording
    Offers flexible workflows with internal 5.9K Canon RAW Light or 4K 10-bit 4:2:2 XF-AVC recording, giving filmmakers robust options for post-production.

  • Modular, Customizable Design
    Built with a flexible modular design, the C500 Mark II adapts easily to various shooting styles — whether handheld, gimbal, studio, or drone work. The user-swappable lens mount system supports EF, PL, and even B4 mounts, making it a future-proof investment for any creative scenario.

  • Dual Pixel CMOS Autofocus
    Canon's renowned Dual Pixel AF provides reliable and smooth autofocus performance, perfect for solo operators and documentary-style shooting.

  • 12G-SDI and HDMI Outputs
    Supports up to 4K at 60fps via 12G-SDI and HDMI, enabling high-resolution external monitoring and recording.

  • High Frame Rate (HFR) Options
    Capture slow-motion footage with 120fps in 2K/HD and 60fps in 4K for dramatic effect.

  • Built-In ND Filters and Dual CFexpress Slots
    Internal ND filters (up to 10 stops) and dual card slots for CFexpress media offer speed, reliability, and professional-grade workflow efficiency.

🎬 Why We Use them at Hemstock Films:

The C500 Mark II is our cinema workhorse. It delivers the color science, dynamic range, and reliability we need for everything from intimate interviews and natural-light documentaries to high-end commercial and music video work. With 15+ stops of dynamic range and Canon’s legendary color rendering, it ensures every project is captured with precision and artistry.

📂 Ideal For:

Zeiss CP.2 Compact Prime Lens Set

Cinematic Versatility in Pristine Precision

At Hemstock Films, we shoot with a carefully curated set of Zeiss Compact Prime CP.2 lenses, prized for their cinematic character, robust mechanics, and exceptional optical quality. These professional-grade lenses bring consistency, clarity, and creative flexibility to every production — whether we're filming high-end commercials, music videos, corporate brand stories, or documentary narratives.

🎥 Available Focal Lengths in Our Kit:

  • 21mm T2.9

  • 28mm T2.1

  • 35mm T1.5

  • 50mm T2.1

  • 85mm T2.1

  • 100mm T2.1

  • 135mm T2.1

🔑 Key Features:

  • Full-Frame Coverage
    All CP.2 lenses in our kit offer full-frame sensor coverage, making them ideal for use with high-resolution cinema cameras like our Canon C500 Mark II.

  • Consistent T-Stops and Color Matching
    The entire set is color-matched, minimizing color shifts between lenses and ensuring a seamless post-production workflow. The consistent T2.1–T1.5 apertures across key focal lengths allow for precise exposure control and creative depth of field.

  • Robust Cine Housing with 300° Focus Throw
    Designed with true cinema mechanics, including long focus throws, solid gear rings, and smooth aperture control. These lenses are built to withstand demanding on-set environments while offering excellent tactile control.

  • Minimal Focus Breathing & Sharp Optics
    Zeiss CP.2s are known for their edge-to-edge sharpness, low distortion, and negligible focus breathing — ideal for both handheld documentary shooting and precision-driven commercial work.

🎬 Why We Use Zeiss CP.2s:

These lenses deliver the clean, crisp cinematic look our clients expect — with a touch of Zeiss’s signature contrast and micro-contrast that makes images pop. Whether capturing an expressive close-up on the 85mm or a sweeping environmental wide on the 21mm, our CP.2 set gives us the freedom to tell your story with clarity and style.